Seeing how the big digital Hasselblads are made is fun. Good thing, because reading about them is as close as I’m ever going to get. https://www.theverge.com/2018/2/6/16977522/hasselblad-camera-factory-tour
I’m trying to use up a bunch of expired film in my freezer, so I put a roll of Delta 3200 (exp 2011) through the Hasselblad. Just a few quick shots of Josie around the house. This one isn’t helped by the dirty window glass I shot through, but she still looks cute and the film worked fine.
After spending several months out for repair with David Odess, my Hasselblad 500C/M kit is back! Isn’t it beautiful!
I had begun to notice that my exposures were all over the place. At first I thought it was just inconsistent metering on my part but it turns out the shutter mechanism in the lens was badly broken. Considering the camera was made in the 1980s, I thought it was time for a CLA of the whole kit. I sent the lens, body, and back to David and waited patiently for their return.
Here’s what was fixed:
- upper plate foam
- front plate foam
- release button spring
- base plate
- screw for base plate
- main spring
- cocking ring spring
- gear train
- light trap
- light trap foil
- nylon stop
- drive gear
Also “Body, lens and magazine were cleaned, lubricated and adjusted in accordance with factory specifications”
Everything about the camera now feels and works wonderfully. I’m happy to have it back and intend to use it for many years to come.
Here’s one frame from the latest roll. I’ve always loved how the Zeiss lens renders.
While many move toward carrying only an iPhone or small, mirrorless system, I’ve been thinking bigger.
A Hasselblad is big enough on its own, but add a prism finder, longer lens, and that big awkward flash unit and it becomes downright unwieldy. It’s also awesome. Most of my favorite images from recent years are from the Hasselblads. I blame the Zeiss lenses. I love the look they produce and have yet to find anything matching it.
The flash, a Hasselblad D-Flash 40, is a recent addition. With the 503CXi body, it’s fully TTL and meters directly off the film. This means getting a decent exposure every time without doing much of anything. I just set the camera to f8 and 125th second and shoot.
This is terrific for shooting indoors. I just don’t have the eye or the hands for handheld natural-light shooting indoors. I’ve always preferred natural-light photography, but using the Hasselblad handheld with an on-camera flash creates a different look, and I’m learning to enjoy it.
Carrying around a Hasselblad and flash unit makes for a cumbersome kit.
See what I mean? It’s a monster. Shooting handheld with a big camera in natural indoor light makes for a nearly impossible situation. Using a flash dramatically reduces the number of blown shots and with medium format film the higher the hit rate the better.
While the rig is bulky, it’s also dead simple to use. The Hasselblad 503CXi offers TTL metering when used with the D-Flash 40 so the whole thing ends up being sort of a giant point-and-shoot. I just set the shutter speed to 1⁄60 and the aperture to f/8, focus and shoot.
About a month ago I bought a Bronica SQ-A kit after spotting it on Craigslist. I wanted to try medium format film and I’ve always liked the square 6×6 shape. The big negatives are amazing, and the camera works just fine.
The only problem is that it isn’t a Hasselblad, which is what I’ve wanted for as long as I can remember. After putting a dozen or so rolls throught the Bronica I decided to buy the Hasselblad and be done with it.
The 500 C/M was produced from 1970 until 1994. Mine was made in 1990 and it’s gorgeous! That’s the good news. The bad news is that I couldn’t focus the thing. I don’t know how anyone ever got off any sharp photos with the standard focusing screen. I have since replaced the original with the later Acute-matte D screen with microprism and split window. It’s still tricky, but much better. The Acute-matte screen looks to be about 2 stops brighter than the original. I still need to use the magnifier, but at least if everyone holds still I have some chance of getting it right.
Hasselblad’s V series prides itself on being modular, and compatible. There are many different viewfinders, film backs and lenses available. Here’s a photo of mine with all of the parts separated.
It really is clever, and seems to be built to take years of normal use. I plan to invest in a 45-degree prism finder eventually to see if that helps with focusing, but for now, I’m having fun peering at the ground glass and hoping for the best.