From a recent roll, here's my dad sitting in a chair listening to my mom and sister talking. Developing with Diafine is so easy and being able to shoot at 1200+ ISO indoors is so handy that I've convinced myself that the contrasty, grainy look is what I was going for in the first place.
I got to watch my daughter’s Weimaraner, Sage, over the weekend. He rarely stops moving, so it can be tricky getting a shot or two in focus. This one is my favorite from the roll.
Nikon F3, Nikkor 100mm f/2.5. Tri-X @1200 in Diafine.
After spending several months out for repair with David Odess, my Hasselblad 500C/M kit is back! Isn’t it beautiful!
I had begun to notice that my exposures were all over the place. At first I thought it was just inconsistent metering on my part but it turns out the shutter mechanism in the lens was badly broken. Considering the camera was made in the 1980s, I thought it was time for a CLA of the whole kit. I sent the lens, body, and back to David and waited patiently for their return.
Here’s what was fixed:
- upper plate foam
- front plate foam
- release button spring
- base plate
- screw for base plate
- main spring
- cocking ring spring
- gear train
- light trap
- light trap foil
- nylon stop
- drive gear
Also “Body, lens and magazine were cleaned, lubricated and adjusted in accordance with factory specifications”
Everything about the camera now feels and works wonderfully. I’m happy to have it back and intend to use it for many years to come.
Here’s one frame from the latest roll. I’ve always loved how the Zeiss lens renders.